Above the bed.
The Studio in oak and cane above a wooden headboard. Morning light falls across the weave; the unit behind it quietly does its work.
How each silhouette sits in the kind of room it's made for.
The Studio in oak and cane above a wooden headboard. Morning light falls across the weave; the unit behind it quietly does its work.
In a bright living room with a generous sectional, the Studio reads as a piece of furniture on the wall — warm enough to belong, quiet enough not to stand out.
Mounted high on a quiet wall above a bouclé sofa, the casing turns the split unit into a single considered object rather than a box to apologise for.
The Lijn with LED backlighting behind the slats. In the evening it throws a soft glow onto the wall — the unit disappears into its own shadow.
An oak Lijn of continuous slats above a pale sofa. Air diffuses through the gaps; lift-off in seconds for the annual filter clean.
Our own oak Lijn sample above the worktable. The unit still does its job; the casing makes the room read as architecture, not utility.
Every AYR casing begins with a brief — your unit, your room, your sightlines. We respond within one working day.
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